The Rieger opened late last month in the former 1924 Main building, and was likely the most anticipated new restaurant of 2010. It carries those high expectations into 2011 and, for the most part, manages to deliver.
Howard Hanna (formerly of 40 Sardines and Room 39) and Ryan Maybee (formerly of JP Wine Bar) have teamed up to create a restaurant that they believe serves “beautiful food for the people”, a mantra that is painted on a soffit in the kitchen, where Howard can see it each time a plate goes to the table.
I have now been once for dinner and once for lunch. Both visits were enjoyable, there were no missteps, and all of the dishes I sampled were pleasing if not thrilling. The downturn in the economy has made “comfort food”, fare that satisfies without breaking the bank, the buzzword of the restaurant scene. While Chef Hanna’s cooking is certainly straightforward and far from fussy, there’s also a level of sophistication in it that shows an appreciation for each dish’s origin, whether it be Italy, France or the United States.
The pastas are house made, as are the sauces. Pappardelle Alla Bolognese features a four-day beef, pork and veal ragu, and the Spaghetti Rossi is infused with red wine, and tossed with escarole and guanciale. The pappardelle is a dish made for meatlovers, but as a non-Italian, I would have preferred a bit more sauce. The one dish that didn’t work for me was the Swiss Chard Gnudi. Typically a pasta-like dumpling without its pasta wrapper, Hanna’s version is a swiss chard puree formed into balls, sitting in a pool of brown butter. Though visually stunning in vibrant green, it lacked oomph.
The restaurant’s signature soup is The Rieger Pork soup, with pieces of pork, Gruyère and garlic. As I was savoring it, my taste buds vacillated between recalling a pork chile verde I ate in Santa Fe and Swiss fondue which, of course, is primarily melted Gruyère. Either way, the soup is a winner, and not as rich as it sounds.
The Cioppino, a seafood stew originating in San Francisco but a derivative of Italian cuisine, was competent but not particularly memorable. Though the fish and seafood were properly cooked, the dish didn’t scream with flavor.
Grilled Poussin is not often found on menus, because, as Hanna points out, diners think of chicken as being rather pedestrian. This was anything but and I gnawed at the bones to savor it. It was accompanied by caponata, typically a relish with eggplant, capers, peppers and olives. This rendition was too heavy on the eggplant for my palate, but I enjoyed the Tuscan Fries, ordered as a side, which are a cross between a thick potato chip and a cottage fry, though puffier.
The dinner menu is compact, offering a couple of soups, four pastas, three salads, a half-dozen meat entrees and three seafood/fish dishes. Clearly, this is the kind of menu that will change seasonally to take advantage of fresh and locally sourced ingredients, a hallmark of Chef Hanna’s cooking, as it seems to be with all young chefs today.
The lunch menu offers some of the same dinner items with a slightly different spin, while also featuring a handful of sandwiches.
The Cubano is layered with house-cured ham, roast pork, mustard, swiss cheese and pickle, pressed together on a baguette. This type of sandwich is all the rage right now around town, but not all are as good as this one. Though not overflowing with slices of meat and cheese, the pieces of crisp pork that dominated each bite set this apart, rather than thin slices of pork tenderloin that one often finds.
I also ordered garlic potato chips, which reminded me of those at Union Square Cafe in New York City. They are homemade and each bite tastes of garlic. Knowing that Chef Hanna had worked at Union Square Cafe some years ago, I asked him if they were his model. He explained that The Rieger’s are slightly spicier, but they are definitely of the same mold. I can attest that they are certainly as addictive.
It’s not all about the food. With expert mixologist Ryan Maybee as one of the co-owners, a focus on cocktails and spirits was inevitable. My husband had the best Bloody Mary of his life, a Smoky Mary, which Ryan recommends trying with tequila rather than the usual vodka. The cocktail list in the restaurant is different from the drinks that are mixed downstairs in Manifesto, but equally impressive. Manifesto is the speakeasy that closed temporarily when 1924 Main did, but is now back in full swing. With only 48 seats available, those wanting a drink are advised to call or text 816.536.1325 for a reservation. Taking a look around, I was surprised and happy to see that patrons’ ages ranged from their mid-twenties to sixties. I had been under the mistaken impression that this was just for the young, not the young at heart.
You can expect service and hospitality to be top of mind with these restaurateurs, given their devotion to Danny Meyer, who is widely considered to be the king of restaurant hospitality. Meyer is the author of Setting the Table, a primer on hospitality that many have adopted as the industry’s bible, as well as owner of a wildly successful group of restaurants in the Big Apple. Hanna and Maybee have undoubtedly learned a thing or two from their mentor and it shows.
My first impression is a positive one. If the owners are striving to create a place where patrons can stop in to relish a drink and nibbles or to experience solid, satisfying fare without breaking the bank, they’ve already achieved that. Nor is it highbrow. The ambiance is warmer than when it was 1924 Main, the menu appeals to a broad range of tastes, and the staff is friendly and welcoming. It certainly adds some panache to Kansas City’s dining scene and I will be happy to return. All good, right? But I was hoping to be blown away by what I ate, and I wasn’t. Perhaps my expectations were too high considering Howard’s pedigree and my past experience enjoying his cooking, but as the kitchen develops an identity, I’m hoping a touch more excitement is part of its DNA.